![]() He chose The Waterboys as its name from a line in the Lou Reed song "The Kids" on the album Berlin. In 1983, even though Scott's record label, Ensign Records, expected his first album to be a solo effort, Scott decided to start a new band. These recording sessions, both of Scott's solo work and the group performances, would later be divided between The Waterboys' first and second albums. During 1982, Scott made a number of recordings, both solo and with Thistlethwaite and Wilkinson. Thistlethwaite introduced Scott to drummer Kevin Wilkinson, who joined The Red and the Black. The Red and the Black performed nine concerts in London. During the same period, Scott formed the short-lived band The Red and the Black, with saxophone player Anthony Thistlethwaite, after hearing him play on Waiting on Egypt, a Nikki Sudden album. These sessions at Redshop Studio are the earliest recordings that would be released under the Waterboys' name. Scott, the founder and only permanent member of The Waterboys, made a number of solo recordings in late 1981 and early 1982 while in a band named Another Pretty Face (later called Funhouse). In the years since, they have revisited both rock and folk music, and continue to tour and release studio albums. After a brief return to the "Big Music" for one tour and the release of a mainstream rock and roll album with Dream Harder, the band dissolved until they reunited in 2000. Their early years, or "Big Music" period was followed by a folk music period which was characterised by an emphasis on touring over album production and by a large band membership, leading to the description of the group as a "Raggle Taggle band". The Waterboys have gone through three distinct phases. The Waterboys eventually returned to rock and roll, and have released both rock and folk albums since reforming. ![]() In the late 1980s, the band became significantly more folk-influenced. "The Big Music" either influenced or was used to describe a number of other bands specializing in an anthemic sound, including U2, Simple Minds, In Tua Nua, Big Country and Hothouse Flowers. And it takes in and embraces the feminine side of divinity, pluralistic in its acceptance of the wider pantheon of paganism." Here is something that can't be owned or built upon, something that has its existence in the concept of Mother Earth and has an ancestral approach to religion. It's extolling the basic and primitive divinity that exists in everything ('the oceans and the sand'), religious and spiritual all encompassing. This style was described by Scott as "a metaphor for seeing God's signature in the world." Waterboys chronicler Ian Abrahams elaborated on this by defining "The Big Music" as ".a mystical celebration of paganism. The early Waterboys sound became known as "The Big Music" after a song on their second album, A Pagan Place. They mean myself and whoever are my current travelling musical companions." Scott emphasises a continuity between The Waterboys and his solo work, saying that "To me there's no difference between Mike Scott and the Waterboys they both mean the same thing. The group reformed in 2000, and continue to release albums and to tour worldwide. They dissolved in 1993 when Scott departed to pursue a solo career. They have explored a number of different styles, but their music is mainly a mix of folk music with rock and roll. Mike Scott has remained as the only constant member throughout the band's career. The band's membership, past and present, has been composed mainly of musicians from Scotland, Ireland, Wales and England. The Waterboys are a Scottish folk rock band formed in Edinburgh in 1983 by musician Mike Scott.
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